
McKenzie Davis
Nov 12, 2026
Mannequin Pussy and Wednesday brought their co-headlining "Bitch Cabul" tour to Iron City in Birmingham, Alabama, with Snooper opening a packed Monday night full of moshing, singalongs, and plenty of noise.
You wouldn't have guessed it was a Monday night walking into Iron City. The room was packed from the beginning, and even with the show running close to midnight, the crowd never seemed to lose its energy.
Nashville-based punk band Snooper kicked things off and wasted no time getting everyone moving. Their set was electric, with plenty of dancing, moshing, and movement in the pit right from the start. It's not often you see an opening band get that kind of reaction, but Birmingham was clearly ready for a night of loud music.
Next up was Philadelphia punk band Mannequin Pussy, who seemed to draw the biggest crowd of the night. From the moment they took the stage, Missy had everyone's attention. Fans who knew every word were singing along, and those who didn't were just as caught up in the music and her stage presence. She has a way of completely taking over a room, and it was hard to look anywhere else.


Toward the end of their set, Missy delivered a passionate monologue before launching into "Loud Bark." Coming just after Alabama's midterm elections, her words and the performance that followed felt especially fitting. It was inspiring, edgy, and honestly a release that I think a lot of people in the room needed. Between the cheers, the screaming, and the energy coming from the stage, it was one of those moments where the whole room seemed to be feeling the same thing.
And somehow, we still had another full set ahead of us.
Asheville, North Carolina-based indie rock band Wednesday closed out the night, bringing a completely different sound without losing any of the momentum. One of my favorite things about their music is how naturally they move between country-influenced songs and heavier, noisier rock. Their set followed that same progression, starting with more of that familiar twang before gradually getting louder and heavier as the night went on.
By the time they reached "Townies" and "Wasp," the crowd was right back in it. "Wasp" especially felt like the perfect way to close things out, building into a wall of yelling and noise that pulled whatever energy everyone had left out of them.



Across all three sets, there was hardly a moment when people weren't moving. Whether it was moshing, dancing, screaming along, or just getting completely lost in the music, the crowd showed up for every band.
For a show that ran late on a Monday night, it was pretty incredible to see that many people come out, get along, and keep the energy going until the very end.
Birmingham could use more nights like this. And judging by the crowd at Iron City, plenty of other people feel the same way.